In a recent interview to Film Companion, Karan Johar said, "There is logic in ADHM. The lead hero aspires to be a singer and therefore sings." I think the logic ends precisely there. What about love and relationship Karan?
For many, like me, who have grown on film's by Johar and Yash-Adi Chopra, love either results in couple's unision (Dil Toh Pagal Hai, Kuch Kuch Hota Hai) or sacrifice and move on! (Kabhi Alvida Naa Kehna, Kal Ho Naa Ho)
ADHM lingers between one sided love (without apt justification why Anushka's character Alizeh doesn't reciprocate love to the 'Aashiq' Ranbir's- Ayan till the end) and Friendship which actually is so blown out of proportion that it doesn't appear to be Friendship but love. (Remember ek Ladka aur ek Ladki kabhi dost nahi ho saktey if one of them is so close-physically chipku -Hum Tum)
Once Ayan confesses love and is rejected, he moves on - partially to somebody who is shown to understand love but is a divorcee! Alizeh suffocates in her other 'lovely' relationship and disappears without giving hint to even his lover Ranbir, it is Ranbir's one sided love that fumes on her news of absconding, ditto Jab We Met style, to find her, only to re-discover that she still feels Ranbir to be a friend (Matlab- Kuch Kuch Hota Hai Par Tum Nahi Samjhogey)
ADHM is a film of contradictions. Alizeh who keeps on saying "Mohabbat karna humarey bas mein nahi, ussey dur jaana humarey bas main hain" Then why did she go back to the first lover when he has ditched her! Ranbir once says 'Aasan Hai Kya, Aisi Mohabbat Karna Jiskey Badley Mohabbat Na Miley? It is not! Then why hope for reciprocation throughout the film and crib about it! (Btw he does same to Ash-No strings attached, "Rishta wo jo aasani se toot jaaye.") No body taught them to Move on with memories in heart!
Imagine, if in Kuch Kuch Hota Hai, while the daughter reunites SRK with Kajol and SRK says 'I am just your friend' or in Kal Ho NA Ho, Preity refuses to marry Saif after SRK has sacrificed his love or in Jab We Met, Kareena would not have accepted Shahid after he rediscovers her-would the films have been successful and loved by masses.
ADHM tries hard to feed us that 'matters of heart are difficult' through forced emotional complications. It can be easily resolved with logic. Move on guys!
Post-script: Ranbir Kapoor, can't keep selecting scripts where he is subjected to confusion, careless and childish behaviour. Time is already up for him. Better actors with wider range like Ranveer Singh, Sushant Singh and Varun Dhawan are catching up. Confused, Childish and careless persona cannot be labelled and sold as versatile acting.
Anushka is natural but her character suffers between selfishness and self awareness. Aishwarya's exit is difficult to digest and I wish Ranbir and she would have settled for each other. However, the director is adamant on making us feel the resilience of heart's "ek tarfa pyaar"- alas through vulnerability of logic and from the mouth of an accomplished 'lover boy' who has 'acquired' other's love in every romantic film he did.
2/5 stars.
For many, like me, who have grown on film's by Johar and Yash-Adi Chopra, love either results in couple's unision (Dil Toh Pagal Hai, Kuch Kuch Hota Hai) or sacrifice and move on! (Kabhi Alvida Naa Kehna, Kal Ho Naa Ho)
ADHM lingers between one sided love (without apt justification why Anushka's character Alizeh doesn't reciprocate love to the 'Aashiq' Ranbir's- Ayan till the end) and Friendship which actually is so blown out of proportion that it doesn't appear to be Friendship but love. (Remember ek Ladka aur ek Ladki kabhi dost nahi ho saktey if one of them is so close-physically chipku -Hum Tum)
Once Ayan confesses love and is rejected, he moves on - partially to somebody who is shown to understand love but is a divorcee! Alizeh suffocates in her other 'lovely' relationship and disappears without giving hint to even his lover Ranbir, it is Ranbir's one sided love that fumes on her news of absconding, ditto Jab We Met style, to find her, only to re-discover that she still feels Ranbir to be a friend (Matlab- Kuch Kuch Hota Hai Par Tum Nahi Samjhogey)
ADHM is a film of contradictions. Alizeh who keeps on saying "Mohabbat karna humarey bas mein nahi, ussey dur jaana humarey bas main hain" Then why did she go back to the first lover when he has ditched her! Ranbir once says 'Aasan Hai Kya, Aisi Mohabbat Karna Jiskey Badley Mohabbat Na Miley? It is not! Then why hope for reciprocation throughout the film and crib about it! (Btw he does same to Ash-No strings attached, "Rishta wo jo aasani se toot jaaye.") No body taught them to Move on with memories in heart!
Imagine, if in Kuch Kuch Hota Hai, while the daughter reunites SRK with Kajol and SRK says 'I am just your friend' or in Kal Ho NA Ho, Preity refuses to marry Saif after SRK has sacrificed his love or in Jab We Met, Kareena would not have accepted Shahid after he rediscovers her-would the films have been successful and loved by masses.
ADHM tries hard to feed us that 'matters of heart are difficult' through forced emotional complications. It can be easily resolved with logic. Move on guys!
Post-script: Ranbir Kapoor, can't keep selecting scripts where he is subjected to confusion, careless and childish behaviour. Time is already up for him. Better actors with wider range like Ranveer Singh, Sushant Singh and Varun Dhawan are catching up. Confused, Childish and careless persona cannot be labelled and sold as versatile acting.
Anushka is natural but her character suffers between selfishness and self awareness. Aishwarya's exit is difficult to digest and I wish Ranbir and she would have settled for each other. However, the director is adamant on making us feel the resilience of heart's "ek tarfa pyaar"- alas through vulnerability of logic and from the mouth of an accomplished 'lover boy' who has 'acquired' other's love in every romantic film he did.
2/5 stars.