Photo Gallery: Jio MAMI Mumbai Film Festival's Grand Opening Ceremony

 

Vijay Verma

Vidhu Vinod Chopra

Tannishtha Chatterjee, Guneet Monga and Amit Sial 

Tahira Kashyap Khurrana 

Sunny Leone

Sunny Kaushal 

Sonam Kapoor Ahuja 

Sobhita Dhulipala 

Siddharth Roy Kapur 

Shriya Pilgoankar and Saiee Manjrekar 

Shanaya Kapoor 

Shabana Azmi

Sanya Malhotra

Saif Ali Khan

Riteish Deshmukh 

Richa Chada and Ali Fazal

Priyanka Chopra 

Karishma Kapoor

Sharvari Wajh and Karan Johar

Jim Sarbh

Ekta Kapoor

Babil Khan

Tara Sutaria

Rajkummar Rao and Patralekha 

Ishaan Khatter 

Bhumi Pednekar

Aditi Rao Hydari

Jio MAMI Mumbai Film Festival's Grand Opening Ceremony

The Jio MAMI Mumbai Film Festival, renowned as the world's premier South Asian film festival, marked its triumphant return with a spectacular on-ground opening ceremony. The festival, held at the Nita Mukesh Ambani Cultural Centre (NMACC) in Mumbai, featured an impressive gathering of both international and South Asian talents, including luminaries such as Priyanka Chopra Jonas, Mira Nair, Luca Guadagnino, Kamal Haasan, Mani Ratnam, Kareena Kapoor Khan, Sonam Kapoor, and more. 

The event was graced by Priyanka Chopra Jonas, Chairperson of the Jio MAMI Mumbai Film Festival, and Isha Ambani, Executive Director of Reliance Retail Ventures Limited and Director of Reliance Jio Infocomm Limited. The opening ceremony introduced a meticulously curated lineup of over 250 films spanning ten days, from October 27 to November 5, boasting an impressive 40 World Premieres, 45 Asia Premieres, and more than 70 South Asia Premieres. Notably, this edition saw a record-breaking submission of over 1,000 films for the South Asia program.

The evening commenced with the prestigious Excellence in Cinema Award, presented to internationally acclaimed directors Mani Ratnam and Luca Guadagnino for their substantial contributions to the world of film. These awards were presented by Kamal Haasan and Priyanka Chopra Jonas. 

The festival's South Asia Competition features a distinguished jury, headed by Academy Award-nominated director Mira Nair, along with esteemed members David Michod, Isabel Sandoval, and Edouard Waintrop.

Bhumi Pednekar, the brand ambassador for Dimensions Mumbai, awarded the winners of the short film competition centered on the theme of Mumbai City. The winners were joined by Dimensions Jury members Shahana Goswani, Anvitaa Dutt, and Shriya Pilgaonkar.

Sonam Kapoor, brand ambassador for Word To Screen, honored the Book on Cinema award recipient, Prakash Magdum, for "Mahatma on Celluloid: A Cinematic Biography." Word to Screen is an innovative platform offered by the Jio MAMI Mumbai Film Festival, facilitating collaboration between writers, publishers, and filmmakers to adapt stories into various film formats.

The festival paid tribute to legendary figures in the film industry, presenting them with Lifetime Achievement Awards. The esteemed honorees included Aruna Vasudev, Nasreen Munni Kabir, and Uma da Cunha. These awards were presented by Marco Muller, Karan Johar, and Adoor Gopalakrishnan, respectively.

The Royal Stag Barrel Select Large Short Films awards celebrated outstanding short films, with "Summer of Soul" by Sanjib Gogoi being named the Best Film, and James Elia from the film "Vakuppu (The Clause)" winning the Best Actor award.

For the first time in India, Jio MAMI partnered with IMDb to establish a portrait studio that attracted stars like Kareena Kapoor Khan, Saif Ali Khan, Sonam Kapoor, and Mira Nair. Additionally, this year's festival introduced the IMDb Audience Choice Award, which will honor the most popular title with a cash prize of 15 lacs for the winning filmmaker.

The opening ceremony featured the presence of festival partners, including Jio, Reliance Foundation, PVR Inox, Turkish Airlines, Film AlUla, NEOM, IMDb, and Royal Stag.

Anupama Chopra, Festival Director, concluded the opening ceremony by acknowledging the Young Critic Award winner, Diya Mathur. The evening was hosted by Neha Dhupia.

To cap off the event, the festival treated its audience to the South Asia premiere of "The Buckingham Murders," starring Kareena Kapoor Khan, directed by Hansal Mehta, and produced by Ektaa Kapoor and Kareena Kapoor Khan.

The Jio MAMI Mumbai Film Festival promises ten days of cinematic enchantment and the celebration of film's finest, making it a must-attend event for film enthusiasts and industry professionals.

Is 'style' over powering 'substance'?

Off-late the two Hindi movies that I watched; both made me ponder over 'style & substance'. Few weeks ago, 'Monica O My Darling' was a 'stylish' attempt to represent 'neo-noir'. It did work largely due to the decorated presentation and the 'substance' - the story had enough plot twists- some organic - a few quite convenient ones still to keep one hooked. 

Take for instance the death reveal of the titular character Monica. It was a convenient plot twist. As viewers, we are smart to identify that the killer could be one of the many characters introduced earlier. What saves the film is the comedy treatment of situations that could have otherwise been a one note scene. Of course the racy late 70's & 80's 'style' music and fantastic lyrics heightened the 'suspense' element. 

This week, I got to watch 'Freddy'. Another film lost to 'style' over substance. The trailer has already revealed to us that Dr. Freddy Ginnwala is a psycho killer. I began watching 'Freddy' expecting that the film would offer some serious rationale behind the motive, something more than what meets the eye. 

Alas, this isn't Drishyam or Drishyam 2 - a perfect crime drama and a strong emotional reason for the protagonist's motive who gets accidentally embroiled in the killing of an unwanted guest.

Freddy lingers largely between a 'revenge' drama and 'neo-noir' theme - where you are to decide if the protagonist's moves are morally correct. Sadly, the backstory for such a knee-jerk killing and eventual planned revenge by Freddy, a reputed Doctor today, is not entirely convincing. C'mon - murder witnesses donot become murderers!

It has been pretty convenient and cliched for Hindi films to add 'Love' (or the lack of it) as the prime reason for plot twists. We saw this with 'Brahmastra' too where the makers shove down our throats the reason why Shiva could over power the ultimate weapon 'Brahmastra'.

The world has perennially been debating whether 'Art imitates Life' or 'Life imitates Art'. Given the chicken and egg situation and the recent spine chilling Delhi murder, where 'ditching love to pieces' rocked our nation, it is disturbing to see love taking ugly turns.

You cannot be telling the audience to root for a sharp, self-assured, perpetrator that suddenly emerged from a nerdy, under confident, insecure character like Freddy and remains unscathed till the end!

Unless of course you want the audience to cheer for the acting prowess and striking presence of Karthik Aryan and immerse them in your 'stylised' decorative cinema over loosely stitched script that puts the blame on a failed love story, bad child-hood trauma as the cause and effect. 

Freddy is available on Disney + Hotstar for you to Judge.

Rajesh Rajgor's Book Review of 'I Don't Want To Meet Lord Krishna!' by Yashaswini K

When Radha Srinivasan, a crime reporter, is chosen to interview Lord Krishna, little did she know that the most fascinating interview of her life would turn into a nightmare. Once the interview gets published, she gets embroiled into one crime case after another. Many people do not believe the interview, but some who do believe, want to meet the Lord. Every now and then Radha finds herself thrust into an adventure fraught with perils. Things go to such an extent that her resistance is frequently tested. Can she over-power the incidents and come out triumphant? What exactly happened that she decides not to meet her favorite God. The incidents that lead to her decision involve the entire story of the novel – I don’t want to meet Lord Krishna!

First and foremost, I really liked the plot that has the mix of fantasy as well as crime. The thought of interviewing Lord Krishna by a crime reporter is exciting. Out of the 24 chapters, the first 12 chapters are really well-sketched out and lives upto my expectations and gives a direction to the book. Be it the pertinent questions of how society interprets religion, the varna system, the first crime incident, although involving Kashmir and the human Karma are very well presented. These chapter are successful in bridging the first interview that Radha publishes to the incident she faces.

However, I would have enjoyed the story further if all the incidents beyond Chapter 12, were inter-related too. Showing Radha face several criminal cases, one after the another and most of the time they are more societal in nature, than having direct relevance to Krishna, is overly ambitious to a character who is a criminal reporter. Writer Yashaswini K, throws in every possible crime scene that you would have read, heard or seen. From Kidnapping to rape and murder – everything finds a way in Radha’s life.

The idea of Krishna and his teachings as a central theme could have made for a more authentic storyline, had Radha used it for solving any one strong criminal case. Instead, the writer makes Radha solve different cases with very little or No connection to Krishna’s teachings established in the first couple of chapters.

Although, I wasn’t sure where the book was headed until the very last few pages, I will give writer Yashaswini K credit for constructing independent stories on the lines of Sherlock Homes. She builds up a strong cast of secondary characters who are all well-fleshed out and have their own plot threads. Apart from the central character Radha, her brother Karthik and Karthik’s friend Keshav are pick of the lot. Even Lord Krishna, emerges as the best thing throughout the length of the book. In fact, some of Krishna’s character traits like being smart and mischievous are also seen in Radha’s behavior. Hence, by the time, Radha says ‘I Don’t Want to Meet Lord Krishna’ you sense that this is just a temporary anguish, there is more than what meets the eye.

Click 'here' to buy the Book

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Rajesh Rajgor's Book Review of Life's Amazing Secrets - Gaur Gopal Das

When I went to school, they asked me what I wanted to be when I grew up. I wrote down “happy.” They told me I didn’t understand the assignment and I told them they didn’t understand life.” This tale has been widely circulated over the internet and is hugely popular in context to human happiness!

If I were to sum up the essence of Gaur Gopal Das’s debut book, Life’s Amazing Secret, it is nothing but to be happy in any situation. One of the most popular monks and life coach, Gaur Gopal Das- also known as Gopal Prabhu, shares his precious insights, broadly on four wheels on which human happiness resides. These are precisely on our Personal life, Relationships, Work life, and Social Contributions. Did he succeed in helping us find the key to happiness? Let’s find out.

What appealed to me the most is Prabhu’s narration, done through his conversation with his wealthy young friend Harry, while navigating their way through Mumbai’s horrendous traffic. It subtly points at the fact that wealth alone cannot make one Happy. While doing so the writer not only tells us the importance of life as a journey but also helps us understand the fact that happiness is not solely depended on external environment. During the course of the conversation he touches upon all the possible concepts associated with ultimate human happiness. These range from gratitude, worries, spiritual practice, relationships, amalgamation of spirituality and integrity at work, competition, selfless sacrifice, etc. 

Gopal Prabhu skillfully establishes that happiness is knowing ourselves and our expectations well. He weaves in short chapters that are packed with captivating stories, humor and sound advice. They are aimed at helping readers identify and get rid of their self-sabotaging thoughts and habits that prohibit them from achieving the success that they want. One such chapter is Das propagating readers to view life on the spectrum with an ice cream on one end and a candle on the other. The philosophy of an ice cream is to enjoy life before it melts and that of the candle is to give light to others before it melts. Hence in order to be happy throughout our existence, we should shift our attitude from being an ice cream to a candle. Which simply means starting from being selfish to becoming selfless.

However, this can be achieved by individuals who know their purpose, which can be discovered with four traits explained in the Japanese model ‘ikigai’ reason to live. So, if you haven’t figured out your purpose yet answer a few questions – What do you love? What are you good at? What can you get paid for? and What does the world need? Honest answers to these will definitely lead you towards a balanced and purposeful life.

Perhaps the book also helps you re-define success or identify what success means to you. After reading this book, you will have a better understanding of why you act the way you do and how to accept the things that you cannot change. Examples like the founders of WhatsApp did not get jobs at Twitter and Facebook when they applied and later the app was bought by facebook, drives the point that, what we may see as a failure for us currently, shall turn to be the best thing to have happened to us! Gaur Gopal Das also attributes how he could not control the virality of ‘his out of context’ video that was circulated on whatsapp which later made him the internet sensation that he is today. This was possible only because he saw both good and bad side of the video but chose to focus on good and neglect the bad! Only if all of us could do that, each one of us would perennially be happy.

Rajesh Rajgor's review of a Gujarati Novel - 'Be Aakash' by Shobhana Shah

Ms. Shobhana Shah’s Gujarati language novel ‘Be Aakash’ (Two Skies) is a passionate tale of simple human sentiments which manages to scratch beyond the known. Breaking the common travel myths like 'English is spoken everywhere' and it is 'difficult to relate with a foreigner due to their different ethnicity', the story takes note of light beautiful emotional attachment between the hero Keyur and the Japanese girl. However, it doesn't just end there, through the lead character, the book is a tale of adventure, novelty and quirky account of his accidental encounter with a Japanese robot! 

Mr. Rajesh Rajgor with Ms. Shobhana Shah at the launch.

With the growing bond between men & machine in the modern times, the story delves into the profound relationship of Japanese and Indian culture covering a nuance take on food, spirituality, infrastructure, intelligence, education and the important of all, value for humanity. These aspects are unfolding around Keyur (a man) and a robot (a machine), and Ms. Shah has managed a snugly interwoven travelogue, with a mix of incidents common to both cultures.

Through the science fiction narrative, the book manages to unravel ancient traditions associated with black magic, geisha or geigi – Japanese women who entertain through performing arts -, origami (art of folding paper), sumo-wrestling, ikebana (art of flower management) and engineering marvels such as the bullet train!

Amid the familiar setting, Ms. Shah also manages to package insights on human trafficking, role of media, police and underworld to give an engaging read. It offers a spirited insight into the lives of a simple Indian family who falls into the trap of unintended fame but who with its mind at the right spot fixes the unknown with ethics and integrity.

The offbeat guide, documenting various facets of Japan and India is full of emotions and on the outset, may seems like just another story by an author trying to make a mark for herself. But Shobhna Shah’s debut novel is much more than that. Through her indulgence in the intellectual pursuits, Shah unravels the absorbent culture of Japan– a country inseparable from its spiritual and religious fervor as much as it is of hard work, robotics and artificial intelligence (augmented reality). ‘Be Aakash’ is thus an extensive understanding of the fascinating Japan which is deeply rooted in Indian ethos and keeps the reader curious till the end.

The book can be bought from the following links.:
Amazon and Gujarati Books

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